Organizers

Ursula Frohne

(University of Münster)

Philipp Goldbach: Image Cycle, Medium format slide projection, 2021. Installation view of 3,906 archive boxes decommissioned during the relocation of the Rheinisches Bildarchiv, Cologne. Park of Burg Lede, Bonn. © Philipp Goldbach / VG Bild-Kunst, Bonn 2022

Philipp Goldbach: Image Cycle, Medium format slide projection, 2021. Installation view of 3,906 archive boxes decommissioned during the relocation of the Rheinisches Bildarchiv, Cologne. Park of Burg Lede, Bonn. © Philipp Goldbach / VG Bild-Kunst, Bonn 2022 

Bio

Ursula Anna Frohne  teaches Art History at the University of Münster (WWU). She was curator at the ZKM | Center for Art and Media in Karlsruhe; Visiting Professor at the Department of Modern Culture and Media, Brown University; Lecturer at the Karlsruhe University of Arts and Design; and held Professorships of Art History at the International University Bremen (today: Jacobs University) and the University of Cologne, where she chaired research projects dedicated to Cinematic Aesthetics and Radio Art, funded by the German Science Foundation (DFG) and the Volkswagen Foundation. Her areas of research include contemporary art practice and technological media, political dimensions and socio-economic conditions of art practices and visual culture, digital commons, and cultures of debate. She is co-founder of the journal 21: Inquiries into Art, History, and the Visual (https://21-inquiries.eu/en/issues/1-2020/) and co-editor of PUBLIC MATTERS: Debates and Documents from the Skulptur Projekte Archives (2019) and Display | Dispositiv. Ästhetische Ordnungen (2018).

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